By placing the word storm on the end of a TV disaster movie hopes generally aren’t high for what is to come. Strangely though, there is really no storm in sight and the film is actually quite competent! Shocks all round then.
Runtime: 1hr 32 mins
A close passing meteor sheds its bum which crashes into Earth and rips the electromagnetic properties of our planet to shreds. The poles of Earth decide to do a switcheroo and that’s when its time to end the world.
The Disasters Faced
Meteor’s, earthquakes, EMP’s, a dodgy pacemaker and a child so is trying soooo hard to be like Justin Bieber it hurts me on the inside.
Whilst Polar Storm is heavily reliant on some of the most dubious science found in a recent disaster flick, it goes with it and fully commits to it with gusto. Polar Storm is clearly done on a shoestring budget but the actors involved aren’t slouching and get on with it too and this elevates the dull script. The film has three distinct acts. The meteor coming to Earth, the EMP dramas and the solution to any b-movie ever made – some nuclear bombs to round-up. Sadly the third act is so reliant on CGI that just doesn’t cut it, the film ends damply but it is solid enough up until then to hold your attention. Hopefully, by that point, you’ll either be drunk or laughing enough to not care. I like a film with ambition, but sometimes it needs to match your budget!
The meteor, its crash and the earthquake effects are passable. What is not is the awful submarine effects in the final half hour which completely shatter any illusion you’ve been trying to pretend you’re in. It’s like an early PlayStation 2 FMV sequence.
Why It’s Worth Watching
Polar Storm is well paced and doesn’t use all its cards in the first twenty minutes. It’s full of clichés and disaster movie must-haves like moody teenagers, the loveable old man, daddy issues and the government once again not acting on advice.
Those of you looking for the drinking game, take a shot whenever teenage Shane tries to look innocent/sexy at the camera is a slightly awkward Bieber pose.
I’ll go for Michael (Rob Morton) as the best death when his pacemaker decides to give out on an EMP and he does the best death fall in the movie.
Every few characters are really nice or given much in the way of character development but Marsha Regis’ Pam is always a good lady to declare the end of the world with. I’m sure everyone would have been a bit calmer if she was more involved.
Aside from the science side of the whole film which is just silly, notice that the film seems to use the same two roads over and over for everyone to stop during an EMP pulse – in some cases in the exact same spot! It just made me laugh.
This is more of a goof, but if a pacemaker has already shorted out once – it can’t short out and kill off a character again. It should have done the deed already!
Not bad enough to be a classic, it is an interesting concept of EMP’s causing havoc that keeps things in motion. It may fall flat with awful CGI in the final third and have some improbable moments but hey – what other disaster movies aren’t taking liberties with reality these days! Passable TV affair.